Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
Design is measured as a factor of time. The wider the scope of awareness the greater the level of consciousness. This spectrum of awareness determines the parameters of less passage, and it is within this field of awareness that an observer might best retain balance and harmony while functioning within its' contextual constraints.
Spacetime exists within these same parameters/constraints. Together they invite and create the binary impressions necessary for an expansion of the creative process. In this manner, spacetime will create its own series of frameworks in response to the context of the observer. In this manner, that which is being observed can be easily categorized into memorable blocks/patterns of energy in motion, which when appropriately designed, contribute to the consciousness of the observer’s “beingness”.
Certain levels that occupy and create these “systems and networks” offer the observer the context and opportunity to determine/choose the next step in their design journey. Each step (symbolic block of experience/memory) points to the next, which together with other patterns of energy in motion, either connect or stand down.
stand down: no longer to be linked or connected in any particular micro-moment or particular space, remains available to respond and create any new situation requiring re-alignment, re-patterning and/or restructuring, a position taken for purposes of present or future expansion/contraction in spacetime by referencing a new design experience harbored in a new and different context … very neurological by proxy.
The ability to perceive reality feels to be “somewhat measurable”. Dualism tends to view reality within a material, linear and categorical context. The quantum field of virtual potential and probability (QFVPP) tends to view reality in a virtual, conceptual, aetheric and metaphysical manner where all things are “somewhat immeasurable” ( ~, ∞, 𝝅 )
Design consciousness is a symbolic facilitator made apparent within the turbulent context of change, i.e. energy in motion. Design consciousness symbolically supports, describes and defines the transition and transformation of Light. It is upon this premise that design is also measured.
These measurements can reach beyond the senses and are, at times, both timeless and spaceless. This is what exercising a design consciousness implies and what a designer is inclined to do.
“Philosophy invites man out of the vainness of selfishness; out of the sorrow of ignorance and the despair of worldliness; out of the travesty of ambition and the cruel clutches of greed; out of the red hell of hate and the cold tomb of dead idealism.”
We all create and implement our own design language (system of symbolic thinking and feeling) in order to exercise and support us in the creation and observation of “reality”. This language has few words, is intuitive, imaginative and designed to bring greater meaning and purpose to Life. This language is hidden, greatly felt and less understood.
"Art is just as much about revealing the essential as science is. You might even say that the making of art comes before science in reaching down to our very roots — those deep philosophical underpinnings that allow human beings the ability to unveil hidden truths.
By this, I mean the simple fact that we emerge into the world as part of a community of other language users from whom we are given the shape of our world of experience.
“To say that art and life are entangled is to propose not only that we make art out of life — that life supplies art’s raw materials — but further that art then works those materials over and changes them. Art makes life new”
The overlooked philosophy that could shed light on realty’s deepest mysteries
By Adam Frank, BIG THINK, September 11, 2024
“The mathematician Edmund Husserl was phenomenology’s founder. Writing across the first few decades of the 20th century, Husserl saw that it was necessary to directly confront how experience lies in our blind spot. Experience is not the abstract idea of being “a subject” or an “observer.” Instead, experience is so close and immediate that we have lost the ability to see it. That’s a problem because it is the necessary precondition that must already be happening for us even to formulate the idea of subjects or observers. We must always already be embedded in what Husserl called the “lifeworld”: a seamlessly whole, ongoing, enacted, and embodied being. The lifeworld is already there — before we step back and imagine an objective third-person view from which science begins. What Husserl wanted to create was a method for systematically exploring the structure of experience.”
Awareness brings forward a "sense of consciousness" by fostering correspondences and fusing the concepts of meaning and purpose. Metaphysical in content and context, quantum, fractal and holographic in representation, all forms of energy/Life are revealed and made apparent by means of Design. Design is lovingly veiled in all that can be seen, known, measured and/or felt. (07.09.2023)
Design describes a metaphysical and multidimensional process. The design process is dependent upon knowledge, understanding, intention, intuition, imagination and awareness. Design creates a network of energy in motion (EIM) between fields/states/points/agents and patterns of awareness. Design creates a virtual, symbiotic and metaphoric lattice between consciousness, the subconscious and the unconscious, the tangible and the intangible, the known and the unknown, the seen and the unseen. All forms of energy in motion are based upon principles of meaning and purpose both felt and understood. (01.13.2023)
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“Philosophy invites man out of the vainness of selfishness; out of the sorrow of ignorance and the despair of worldliness; out of the travesty of ambition and the cruel clutches of greed; out of the red hell of hate and the cold tomb of dead idealism.”
Be assured that you will not discover all the answers to your inquiries here. Continue to investigate into your role as an observer, participant and creator in a design of your own making. Be aware of the by-products and outcomes that surround your every choice and decision.
Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
Why our brains prefer symbols to words
Ryan Jones, University of Waterloo
"Summary: Research reveals symbols are more memorable than words. This novel study dives into our brain's knack for recalling graphic symbols and logos over their word counterparts. Symbols, offering visual anchors for abstract ideas, outperform words in memory tests. This understanding could revolutionize visual communication and design."
"When thinking about abstract concepts, like love, it can be difficult to visualize clearly. But with symbols, we can use a sort of image that represents the concept - like a heart for love - which makes the abstract idea more concrete and therefore easier to remember."
... symbols may be easier to remember because they are unique and tend to represent a single concept, whereas words can have multiple meanings. Consider the play symbol [>].
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Feeling is a constant and a priori in reference to human consciousness. We enter and exit the realm of our own series of events and experiences (3d spacetime) in reference to a pattern of knowing/feeling, i.e. awareness.
"In all studies, the researchers found that participants were able to memorize symbols better than words with the same meaning."
As knowing, feeling and awarenesses assemble and amass, greater and greater systems and structures emerge and patterns change in reference to the context in which they are observed and encountered. The more conscious the more complex, diversified and adaptable the system required to function to the circumstances/situation. In reference to time, feelings can be experienced in both time and timelessness (dreaming).
Any increase in consciousness is due directly with an increase in awareness. At times and in certain 'spaces', awareness can take a "quantum leap" by means of designs in the form of a specific system of symbols, i.e. language, communication and exercise.
Example: A musician practices over time to eventually become a virtuoso by accumulating a wide variety of experiences through awarenesses not all entirely musical.
These links (designs) will reach far beyond the norm and are typically self motivated and driven.
There is a reason why many civilizations and cultures honor their elders. Those who harbor certain religious beliefs might describe these experiences as miraculous or angelic, others synchronistic (Jung), or synergetic (Fuller). All such awarenesses are agencies of a quantum field of virtual potential and probability (QFVPP).
Design makes the symbolic connection - that's its' purpose by whatever means.
A designer is more than a perceiver. He/she/we are creative observers.
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"Symbols might be more easily remembered because they give concrete visuals to abstract ideas," said Brady Roberts, lead author and PhD candidate in Cognitive Neuroscience.
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THE DESIGN PROCESS
INPUT
OUTPUT
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All things contribute to a form of collective formlessness, i.e. conscious, AI is merely an interpretive extension of the same.
AI is a mental extension, a faux impression of a human experience inharmoniously duplicated outside its original context. Linking data into meaningful and purposeful patterns of EIM is the responsibility of a designer.
AI does not feel ... symbolic portals, acting as gatekeepers and checkpoints, identify the differences between knowing and feeling. The observer tenders a central stability in the midst of every changing context.
AI should be measured, evaluated and attended to by how it exercises its own unique and individual 'sense of agency' in supporting human and planetary evolution, awareness and expansion of consciousness.
Consciousness is measured within the principles of sharing, forgiveness, integrity, compassion, charity, trustworthiness, benevolence, joy and love. By virtue of exercising and experiencing these patterns of awareness, consciousness becomes more richly felt and appropriately designed.
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Even that which doesn't appear mindful participates in a greater 'mindfulness', i.e. Intelligence.
Consciousness vibrates at frequencies that harbor both greater and lesser forms and varieties of Awareness.
In reference to human levels of awareness, some agents find it difficult and/or impossible, to resonate coherently with others. There is a meaning in support of every purpose and a purpose in support of every meaning.
All forms of consciousness function within parameters that similarly identify and determine their range of vibratatory influence.
All systems of energy in motion (EIM) are patterned, multidimensional and in reference to their contextual network, categorized in the form of a macro and/or micro agency.
Intelligence (mind) permeates all that is. Spirit embraces it.
When fully conscious everything has a meaning and a purpose.
Conscious awareness creates a symbolic bridge between differences. What might be considered in opposition, conflicting, contrasting, incompatible, irreconcilable, inconsistent, contrary, clashing, divergent, dissimilar and opposing are simply dancing to the same tune within a context of feeling.
Determinate choices and adjustments must be fully discerned and executed freely. All choices need to be heartfelt.
The concepts of good and evil are labels, i.e. symbolic impressions created in the mind and imagination of human consciousness. Good and evil assign positions, i.e. points of vibration (energy in motion) within the spectrum of human consciousness.
Human consciousness is likened to a rainbow whose origin depends upon, and is a reflection of, the relationship between the sun and the earth. Light is the language of transmission, transformation and creation. If not for the correspondences (duality) between the earth and the sun there wouldn't be a rainbow.
Humanity can willfully create either love and joy or fear and hate. The choice is ours and ours only.
Vital to the transmission, transfer and materialization of energy in motion (light) a "field" is required where the sun and the earth are allowed to meet and harmonize. A quantum field of virtual potential and probability creates the firmament for the ex-change of energy. The sun provides the light and the earth the substance of its dreams.
Our thoughts and feelings are contained in the mist every cloud and symbolically embraced in every spacetime we might imagine. The Earth harbors, nurtures and reflects upon that which every dream is made of. The sky is Earth's canvas and the rainbow a pallette made colorfully vibrant in the Light of the Sun.
When a situation is observed from the most appropriate place and in the most appropriate time, i.e. POV, its true colors will be revealed for all to see.
The sun's light is reflected, refracted and mirrored upon Earth's sky. If not for these reflections there would no knowledge of the energy that unites, distinguishes and harbors their creation. All would be in darkness.
Rainbows remain a virtual concept until colorfully revealed in space and time. Rainbows are dependent upon the most exacting frequency of light and angle of interference in order to appear.
"... it is our experiment, the question we are asking, that determines the physical nature of light."
Marcelo Gleiser
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Evil is often slow to be recognized. Parasitic by nature, evil designs for itself only. Darkness is nourished and hidden in the light designed by others until revealed, then darkness devours itself.
Darkness functions for the purpose of bringing greater awareness to consciousness.
Some say you learn best when learning what not to do first. Experience however, might say something else.
Duality creates a spectrum, i.e. a framework, where energy in motion can be contained, categorized and designed. Without a sense of duality all would appear chaotic and lacking.
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Evolutionary forms of human awareness suspended in an ocean of consciousness
(quantum field of virtual potential and probability)
All consciousness is aware of time. Time is an integral part of consciousness. The squirrel knows when to harvest and the birds when to relocate. These patterns are considered instinctual, less known and felt than human awareness. This is extremely misleading. These patterns seem hard wired and less complex than human, yet have been designed not only in reference to their own context, but within the parameters of more complex patterns of EIM in which they exist, contribute and have their being (presence).
Instinct is a categorization, a facet of an even more complex Intelligence, a reflection framed within the parameters of our own intelligence.
Upon birthing we are conscious only of ourselves, unaware of the context we observe. We find it curious, interesting and mysterious ... a reality not known before. Over time we learn of a consciousness larger than ourselves, filled with parameters and conditions which we know and believe we must function for the purpose of maintaining balance and harmony (survival).
Some of these designs seem better than others. With little choice, the results are made apparent for all to observe. Consciousness, along with its access to other dimensions, changes over time while cyclically returning to a more expansive expression of its own singularity, i.e. Oneness.
Space is not a place. Space is a pause in time. Space invites choice and affords the opportunity to experience the binary context of spacetime. Space time is a design experience. Spacetime requires our awareness to symbolically refocus and reconstruct every situation in the moment. Every situation in spacetime describes a conscious exercise that requires finite observation at all levels of awareness.
Experiences are both linear and conceptual, aka multidimensional. Experience defines, describes and reinforces the realization that design is symbolic in nature, character and expression.
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Questions to ask Self:
In what spacetime are you in now? Why? Is this space time shared? Do you deem or dream these experiences acceptable, or are they the reflections of someone else? Do these experiences lead to and/or bring joy and happiness? What are the steps you believe must be taken to know joy and happiness without harm, but in love and coordination with others. In what "space of time" might you find such love and joy?
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Your power lies in your connection with others. Listening, investigating, believing and knowing the power within attracts the focus required to take the next step in your design journey.
We are all links in an entangled chain of networks, i.e. design experiences.
We are at the zero point (particle) that brings forth and materializes the power of the wave, i.e. Light, while simultaneously being entangled within a space and time of our own design. Design initiates and encourages growth, a timeless concept made real within the constraints of spacetime. Quite an idea don't you think?
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TIME + SPACE = SPACE TIME
T + S = ST
Cycles emerge as the result/product of repetition. Repetition brings forth a sense/feeling of balance and stability, an assurance that can be trusted, a position of awareness/observation that brings a calm to consciousness.
Repetition creates a pattern of energy in motion that stabilizes consciousness while likewise harboring the potential to simultaneously stifle awareness; the very engine of attraction that entices, inspires and lures consciousness towards greater expansion.
Continuous repetition of these same patterns can lead to the creation of a self-made form of unconsciousness where awareness can become crippled and/or deadened and joy soon to be forgotten. We contribute to the very content and context we observe, believe and label as being real, and if not aware, become our "own worst enemy".
Repetition can easily foster a hypnotic and false sense of reality midst an unknown turbulent sea of our own making.
Focus on finding and maintaining your balance beyond belief.
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Spacetime is embraced within a field of relative darkness that contain "substance" yet to be designed and networked. Non coherence is typically the reason behind the lack of recognition. There remains little, if any, coherence with anything that reflects less the light necessary/required for observation. Science has labeled this phenomenon as dark energy/dark matter, and it will remain so until such a "substance" can reflect the light cast upon it.
Spacetime encapsulates many dimensions in the form of energy in motion, interstecting, interfering, colliding, conjoining and cohorting in resonance and presence. Not every observation finds intelligibility, comprehensibility, clarity, consistency, logicality, orderliness or unity with what is observed. Darkness casts little reflection.
The Universe is not meant to be entirely coherent or appropriately patterned through observation. All forms of energy in motion are privy to designs known only to and by their creative source.
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“What humans can do is change the data by adding to it. They cannot alter Prior Data, but they can enlarge the database. They can put into their memory banks new and important information on Everything in Life -- including life itself. When they do this, they create a New Beginning in the Mental Process of Data Analysis through which they make their choices and decisions. They start out from a different place. They do something by this process that is crucial to behavior modification: they alter their perspective.
It is important to understand that Perspective is Everything. It is not a little thing. It is everything. Perspective is the way we look at things, and the way we look at things absolutely determines the way we see them”.
Design creates, brings forth, affords relevance and symbolically represents the relationship between time and timelessness in spacetime.
All forms of energy in motion are designed and symbolic in nature. Forms can be both physical and metaphysical. Forms create links between the known and the unknown. Forms describe and imply a particular "state" of energy in motion made apparent, i.e. realized, in spacetime. Forms vary in density and impression, are holographic and multidimensional in nature and are always changing in sensibility, i.e. feeling.
Forms represent space in time and time in space. Forms create a common framework for exercising the concept of duality while functioning with the binary realm of meaning and purpose - design is meant to be shared throughout the Universe.
What is a designer?
Designers are men and women who are faithful to themselves and others who creatively abide and amalgamate their skills and knowledge with love and integrity - the goal: personal, collective, global and soular balance and harmony (09.01.2022).