Design can be measured as a factor of time. The greater the awareness the greater the level of consciousness. Awareness determines the parameters of less passage where balance and harmony must function within certain contextual constraint.
Spacetime likewsie functions within similar parameters and constraints. Together they create a binary circumstance/context required of the creative process. Spacetime creates a series of variables and criterion in response to the observer. In this fashion observations can be easily recognized and categorized into memorable blocks or patterns of energy in motion, which when appropriately designed contribute to the conscious awareness of the observer.
Networks of EIM offer the opportunity to determine/choose the next step in the design journey. Each step (symbolic block of experience) points in the direction of the next to either connect or stand down.
stand down: no longer to be linked or connected in any particular micro-moment or particular space, remains available to respond and create any new situation requiring re-alignment, re-patterning and/or restructuring, a position taken for purposes of present or future expansion/contraction in spacetime by referencing a new design experience harbored in a new and different context … very neurological by proxy.
The ability to perceive future situations and arrangements require the input to be “somewhat measurable”. Dualism is without limit and filled with virtual potential and probability, an aetheric domain made “tangible” by virtue of observation, reasoning and design.
Design consciousness is a symbolic facilitator made apparent within the turbulent context of change/energy in motion. Design consciousness supports, describes and defines the transition and transformation of energy in motion.
Design reaches beyond the senses, including space and time. This is what designers are inclined to do. We each create and implement a design language (system of symbolic thinking and feeling) of our own. We use our private language to support us in the creating and sharing and our own unique sense of “reality”. Like consciousness design has no words to fully describe it. Design seems to be based in our imagination, intuitive and targeted towards a meaning and purpose known only to its creator.
Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
Why our brains prefer symbols to words
Ryan Jones, University of Waterloo
"Summary: Research reveals symbols are more memorable than words. This novel study dives into our brain's knack for recalling graphic symbols and logos over their word counterparts. Symbols, offering visual anchors for abstract ideas, outperform words in memory tests. This understanding could revolutionize visual communication and design."
"When thinking about abstract concepts, like love, it can be difficult to visualize clearly. But with symbols, we can use a sort of image that represents the concept - like a heart for love - which makes the abstract idea more concrete and therefore easier to remember."
... symbols may be easier to remember because they are unique and tend to represent a single concept, whereas words can have multiple meanings. Consider the play symbol [>].
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Feeling is a constant and a priori in reference to human consciousness. We enter and exit the realm of our own series of events and experiences (3d spacetime) in reference to a pattern of knowing/feeling, i.e. awareness.
"In all studies, the researchers found that participants were able to memorize symbols better than words with the same meaning."
As knowing, feeling and awarenesses assemble and amass, greater and greater systems and structures emerge and patterns change in reference to the context in which they are observed and encountered. The more conscious the more complex, diversified and adaptable the system required to function to the circumstances/situation. In reference to time, feelings can be experienced in both time and timelessness (dreaming).
Any increase in consciousness is due directly with an increase in awareness. At times and in certain 'spaces', awareness can take a "quantum leap" by means of designs in the form of a specific system of symbols, i.e. language, communication and exercise.
Example: A musician practices over time to eventually become a virtuoso by accumulating a wide variety of experiences through awarenesses not all entirely musical.
These links (designs) will reach far beyond the norm and are typically self motivated and driven.
There is a reason why many civilizations and cultures honor their elders. Those who harbor certain religious beliefs might describe these experiences as miraculous or angelic, others synchronistic (Jung), or synergetic (Fuller). All such awarenesses are agencies of a quantum field of virtual potential and probability (QFVPP).
Design makes the symbolic connection - that's its' purpose by whatever means.
A designer is more than a perceiver. He/she/we are creative observers.
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"Symbols might be more easily remembered because they give concrete visuals to abstract ideas," said Brady Roberts, lead author and PhD candidate in Cognitive Neuroscience.
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THE DESIGN PROCESS
INPUT
OUTPUT
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All things contribute to a form of collective formlessness, i.e. conscious, AI is merely an interpretive extension of the same.
AI is a mental extension, a faux impression of a human experience inharmoniously duplicated outside its original context. Linking data into meaningful and purposeful patterns of EIM is the responsibility of a designer.
AI does not feel ... symbolic portals, acting as gatekeepers and checkpoints, identify the differences between knowing and feeling. The observer tenders a central stability in the midst of every changing context.
AI should be measured, evaluated and attended to by how it exercises its own unique and individual 'sense of agency' in supporting human and planetary evolution, awareness and expansion of consciousness.
Consciousness is measured within the principles of sharing, forgiveness, integrity, compassion, charity, trustworthiness, benevolence, joy and love. By virtue of exercising and experiencing these patterns of awareness, consciousness becomes more richly felt and appropriately designed.
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Even that which doesn't appear mindful participates in a greater 'mindfulness', i.e. Intelligence.
Consciousness vibrates at frequencies that harbor both greater and lesser forms and varieties of Awareness.
In reference to human levels of awareness, some agents find it difficult and/or impossible, to resonate coherently with others. There is a meaning in support of every purpose and a purpose in support of every meaning.
All forms of consciousness function within parameters that similarly identify and determine their range of vibratatory influence.
All systems of energy in motion (EIM) are patterned, multidimensional and in reference to their contextual network, categorized in the form of a macro and/or micro agency.
Intelligence (mind) permeates all that is. Spirit embraces it.
When fully conscious everything has a meaning and a purpose.
Conscious awareness creates a symbolic bridge between differences. What might be considered in opposition, conflicting, contrasting, incompatible, irreconcilable, inconsistent, contrary, clashing, divergent, dissimilar and opposing are simply dancing to the same tune within a context of feeling.
Determinate choices and adjustments must be fully discerned and executed freely. All choices need to be heartfelt.
