Design is linked within the parameters of its own awareness. All things function within their own constraints - for good reason.
Knowing when to remain silent and observe is central to growing in strength and awareness.
Beliefs can guide us only so far until our innermost desire for truth knowingly overwhelms us.
Knowledge leads to new beliefs by means of an even greater knowing of it ad infinitum.
Awareness is complicated. It's difficult in knowing when to believe it or not. Better to know it as consciousness.
Beliefs can appear to flow towards knowing while likewise spilling over in an awareness with little meaning or purpose. Beliefs are not meant to be known.
Parameters and constraints are meant to be revealed and experienced as they run rampant with little or no direction.
Design requires a certain degree of restraint while in preparation for the next cycle. Stillness and silence attract the unknown by opening the door and allowing wisdom to ensue.
Design becomes vividly apparent and attractive when made tangible and aware. Without design there can be nothing of significance.
Spacetime (duality) along with focus (observation) create the conceptual framework (context) required to reveal the truths of beauty and goodness; design awareness made apparent by means of the creative process.
Design is not meant to be an exact science. All forms of energy, light and information function within a range of resignation, i.e. tolerance, created for the truthful purpose of meaning, function, need, expansion/contraction, adaptability, regeneration, recirculation, connection, beauty and goodness.
"Integrity is the essence of everything successful."
"In every condition, event, situation, and problem, there is a true underlying cause. The outer world is only a reflection of energy set into motion. When we gratefully welcome responsibility for the role we play, the correction and solution automatically come forth. Then it is up to us to insure that we do not repeat this activity ..."
Knowledge (knowing) and the senses, tangible and intangible, i.e. feelings, are made aware, apparent and conscious by means of design. Due to changing circumstances (experience) knowledge and feelings (awareness') are forever being changed, translated, reconfigured and transformed.
Reconfigured streams of awareness are woven into new patterns of energy in motion (EIM) by virtue of coherent resonance. Experience is recreated, redefined and relabeled. In reference to the concept of reality, ideas are remembered, reviewed and redesigned. Because of awareness consciousness never stands still. We are all creative. It is an essential human trait.
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MATTER / YIN ENERGY
When experiencing the duality of spacetime, one idea plus another create, attribute and give rise to the "idea" of a concept.
When experiencing the duality of spacetime, one awareness plus another create, attribute and give rise to an "idea" of consciousness.
ANTIMATTER / YANG
A concept less its ideas = no thing (0)
A consciousness less its awareness = the unconscious
Consciousness, awareness and spacetime (space + time) are both ideas and concepts. (duality).
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Design is both a conceptual and idealistic exercise in spacetime created within the symbolic framework of a dream made conscious, i.e real. Design will always remain veiled within a virtual unknown (unconscious).
The design process becomes conscious, i.e. known and felt through the implementation of signs, symbols, metaphor and analogy. Together they give recognition to all events and experiences.
Design is a language long forgotten.
Beliefs eventually reach exposure, over time they reveal a certain truth no longer sustainable. Interestingly enough, that is where their beauty lies.
Duality leads to revelation, high ideals and attractions hidden in the dreams of others.
Only through experience will falsehoods be known and felt.
Be aware of all signs while providing no energy of your own.
You may be asked to believe - better to know and truth be felt.
Feeling can lead into believing a falsehood that knowing had already known.
Belief creates a virtual illusion meant to guide by means of a certain knowledge and understanding. This makes it difficult to know exactly what you're dealing with.
Consciousness (energy) is in constant motion by virtue of awareness. All virtue is a gift.
Consciousness is the energy of change.
Design in empathy, compassion and understanding.
To know beauty, resonate to that which you love.
All senses function in coordination - active networks of energy in motion each knowing their moment.
Gratitude is such a beautiful vibration - once experienced never forgotten.
How long does it take to appreciate what you think you have? How long does it take to know it?
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Belief isn't knowing. Knowing comes with experience. Belief merely leads to knowing.
Finding clarity is a full time job.
"It is startling to realize how much unbelief is necessary to make belief possible."
Pain, abuse, confusion, turmoil, ridicule, self hate, anger and fear describe the experiences of a believer whose beliefs have escaped the power of knowing.
Knowing leads to the knowledge that all beliefs eventually face their own reckoning.
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"To believe is to accept another's truth. To know is your own creation."
Energy is in perpetual motion. Energy in motion (EIM) corresponds to design. Energy in motion is without condition, unrestricted and everlasting.
EIM is another way of describing change. Energy in motion is a changing energy (CE). (EIM = CE)
Motion is both Energy and Change. Energy is both Change and Motion. Change is both Motion and Energy. Therefore, design might best be described as an energy in motion (transition) and change (transformation).
EIM and CE are both visible and invisible, cyclical and linear, expand and contract, materialize and disappear. Both EIM and CE appear to be electric (-) and magnetic (+) by means of resonance and dissonance. When in balance EIM and CE return to their consubstantial origin, reflecting upon the common nature, essence and attributes they share both as a Creative Source (CS, Yin/magnetic energy) and Creative Force (CF, Yang/electric energy).
CS + CF = EIM + CE
Design invites us to become fully aware of our own consciousness by virtue of a dualistic framework and associative processes, i.e. methodologies, symbolically repeatedly and represented in spacetime.
Spacetime: where all forms of "reality" transpire and categorically perpetuate themselves.
Time describes a point of reference about which a spectrum of events and experiences (EE) emerge. In time design has a power over these impressions separated from time. Awareness expands exponentially by symbolically recycling and relabeling itself.
Concepts timelessly await within the quantum field of virtual potential and probability for the most appropriate attraction brought forward by means of observation and coherent awareness.
An observer becomes a designer by means of the transformation of a concept into an idea and then into a relative form.
EIM flows into its most appropriate pattern by means of series of coherent attractions. A designer is well aware of these feelings and can sense with great clarity, the vibrational relationship between attributes.
Timing is everything.
Design is a product of exercising one's own perceptions, observations and participation into a reality of our own making. Every event and experience in spacetime contributes to a boundless pattern of energy in transition and transformation. Every experience is rife with meaning and purpose ... every thought an emotion and every emotion a thought. The context in which these events and experiences are arranged and eventually made apparent requires the involvement of a quantum field of virtual potential and probability (QFVPP).
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Desire is wrapped in an energy of emotion.
Design is multidimensional. We are all designers.
What is written will often change as soon as its read.
"Hemingway wasn't a great writer because he used a 1926 Underwood Standard Portable typewriter." Unknown
"Garbage in garbage out." George Fuechsel
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"I never compromised but willingly worked (designed) within constraints."
"Ideas are cheap. Always be passionate about ideas and communicating those ideas and discoveries to others in the things you make."
"Beyond the age of information, there is the age of choice."
"The details are not the details. They make the design."
"The most important thing is that you love what you are doing, and the second that you are not afraid of where your next idea will lead."
"Most people aren't trained to want to face the process of re-understanding a subject they already know. One must obtain not just literacy, but deep involvement and re-understanding."
