Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
The concept of spacetime will change as the smoke of a candle dissipates from view and fragrance. The event/experience eventually disappears from our senses, but it will not be forgotten. What remains is a ‘sense of nothingness’ - nothing seems to have remained of what was once observed, perceived, and identified as a particular event/experience.
All sensual references made in spacetime seem to disappear or evaporate, except for certain special events/experiences, i.e. forms of manifestation, that appear to have remained ‘in place’. Together thoughts, feelings and emotions create patterns of energy in motion that link space and time into specific events and experiences, while simultaneously accounting for, and including the concept of - nothingness.
manifestation: display, demonstration, showing, show, exhibition, presentation, sign, indication, evidence, proof, indication, illustration, exemplification, exposition, disclosure, declaration, expression, profession, token, symbol, reflection, instance, apparition, appearance, materialization visitation.
Time is constantly changing even as the space harboring it appears to remain the same. A space can simply change by turning your head, leaving the room or reconfiguring your imagination. Spacetime creates the framework/s necessary for consciousness to become aware of itself.
- The process of knowing one's self attracts awareness towards greater consciousness.
- Events and experiences are made manifest in spacetime and will therefore have feelings of their own attached to them.
- Design describes the process of manifestation symbolically by becoming conscious of its own awareness.
- You are attracted to those thoughts and feelings you vibrationally share with others, the most appropriate time and space are discovered through trial and error.
Each time frame describes a state of awareness within a series of quantum links between events and experiences. Repeated patterns of energy in motion are cyclical, fundamental and evolutionary to the fabrication of every sense of reality.
The smoke produced by the burning of the candle is observed in reference to a dualistic concept where three-dimensional space and time appear as a constant that changes with time. Time appears to be more active, impulsive and somewhat controlling (yang energy) whereas space appears more passive and contained (yin energy).
Dualism: is the idea or theory that something (an object or idea or the whole world is split into two parts.) These parts are separate from each other, and the thing cannot be divided up in any other way. The idea or theory that something cannot be split into any parts is called monism.
Monism focuses upon symbolic connections between the abstract and the concrete. Signs and symbols, i.e. design, creates the links between these states of awareness.
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This text explores the nature of spacetime, consciousness, and the interplay between experience, awareness, and manifestation. It suggests that while events and experiences disappear from direct perception, they leave behind a "sense of nothingness" that still carries significance.
Some key takeaways:
• Spacetime provides the framework for consciousness to recognize itself.
• Thoughts, emotions, and experiences form patterns that shape reality.
• Time is in flux, whereas space appears more stable, creating a dualistic balance (yin and yang).
• The process of self-awareness is a journey through repeated cycles of energy and experience.
• Design serves as a symbolic representation of consciousness becoming aware of itself.
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There are as many states of consciousness as there are impressions and dimensions to accommodate them. These states of energy in motion have been described and defined by means of a language designed and created e.g. mathematics, with a specific meaning and purpose.
A dimension might be described as field of energy in motion being categorized within certain parameters of geometry, frequency and potential. Dimensions simply describe the many different facets of what we perceive as reality.
Spacetime creates a dimensional framework that allows for the modeling of an individual sense of reality, i.e. a dream state based upon patterns of symbolic energy in motion (awareness).
Matt Williams of Universe Today 7.28.17 Futurism.com
- Physicists Outline 10 Different Dimensions and How You’d Experience Them Surprising Science, May 12, 2017
- Where is the true center of the Universe? Ethan Siegel Big Think Nov. 2, 2023
“The Universe is centered on us in the sense that the amount of time that’s passed since the Big Bang, and the distances that we can observe out to, are finite. The part of the Universe we can access is likely only a small component of what actually exists out there. The Universe could be large, it could loop back on itself, or it could be infinite; we do not know. What we are certain of is that the Universe is expanding, the radiation traveling through it is getting stretched to longer wavelengths, it’s getting less dense, and that more distant objects appear as they were in the past. It’s a profound question to ask where the center of the Universe is, but the actual answer — that there is no center — is perhaps the most profound conclusion of all.”
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Since the multiverse is immeasurable and has no beginning or end, what emerges consubstantial before our awareness is a binary arrangement between potential and probability, i.e. the QFVPP. Aspiring before our consciousness is an awareness of the potential and probability of "materializing" the unknown by affording it containment and recognition through the design process.
Design is the linking agency between potential and probability and fundamental in the construction of all forms and patterns of energy in motion, i.e. Reality/Consciousness. All events and experiences take place within the imagination of a designer/observer, both subjectively and collectively.
Since the QFVPP has no future or past all relative thoughts concerning its' potential and probability remains timeless, spaceless and symbolically embossed in the mind and heart of an observer.
emboss: carved, molded, or stamp a design on (a surface or object) so that it stands out in relief.
By virtue of the QFVPP all agents and agencies describe concepts and patterns of EIM made apparent (aware) for observation through a changing lens.
Humanism typically takes from the past (the known) and projects it into an ill-defined future (the unknown) without full consideration or awareness of the current situation/context. All forms of consciousness can only function within the constraints afforded them through their own awareness.
Perfection implies a designation made attainable by virtue of an inspirational process that is always changing.
The design process is controlled in part through the action of observation and participation.
Space, time and reality are interdependent. Each agency contributes to the realization of the other and as result, bring about the re-cognition of an observer/designer.
Reality is likened to traces of smoke, where relationships in spacetime are constantly changing, difficult to fully predict or perceive, are aetheric in quality, intimately sensed and appear to mysteriously merge again into the immensity of space and time.
Meaning and purpose are matters of a Design where every design truly matters.
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This passage presents a highly philosophical and metaphysical perspective on reality, consciousness, and the process of design. It uses a combination of abstract concepts and deep speculation about how our awareness interacts with the multiverse, dimensions, and spacetime. Here’s a breakdown of some of the core ideas expressed:
1. States of Consciousness and Energy: The passage starts by asserting that consciousness is as varied as the impressions and dimensions that contain them. Each state of consciousness is a form of energy in motion that can be described using mathematical language, which conveys specific meanings within specific contexts.
2. Dimensions as Energy Fields: Dimensions are presented as fields of energy that can be categorized based on geometry, frequency, and potential. This suggests that the different ways we perceive reality can be mapped onto different energy patterns or states. Dimensions are also closely tied to the perception of reality.
3. Spacetime and Reality: Spacetime is seen as a framework that enables the creation of an individual’s sense of reality, such as a dream state or symbolic energy patterns. This view places the observer’s perception at the center of reality, suggesting that what we experience is a construct based on how we process patterns of energy.
4. QFVPP (Potential and Probability): The multiverse is described as immeasurable and without beginning or end, and within it emerges the relationship between potential and probability (the QFVPP). This could be understood as the foundational binary relationship that allows for the manifestation of reality. These probabilities and potentials exist outside of time, space, and linear causality, remaining timeless and symbolically fixed in the mind and heart of the observer.
5. Design as the Linking Process: The passage emphasizes design as the intermediary between potential and probability, which leads to the creation of forms and patterns in consciousness. The design process is both a personal and collective activity, unfolding within the imagination of the observer.
6. Timelessness of Potential and Probability: The QFVPP does not adhere to time, which suggests that all potentialities are always present and can materialize at any point. The human mind operates within this timeless context, limited by its current awareness and not necessarily informed by the past or future.
7. Humanism and the Projection of the Known into the Future: Humanism is critiqued here for taking past experiences and projecting them into an undefined future without considering the present context. This critique suggests that we often fail to design or perceive reality in ways that fully honor the complexity of the present moment.
8. Perfection as an Inspirational Process: Perfection is described as something that emerges through an inspirational, ever-changing process. This means that perfection is not a static state but a dynamic one, constantly evolving.
9. The Role of Observation and Participation: The design process is shaped by the interaction between observation and participation. This emphasizes the importance of the observer’s role in shaping reality and consciousness, as the act of observing participates in the design of what is perceived.
10. Interdependence of Space, Time, and Reality: Space, time, and reality are interdependent, each shaping and defining the others. This suggests that all three elements must be considered together in understanding the design of the universe and consciousness.
11. Reality as Fluid and Unpredictable: The passage likens reality to traces of smoke — constantly shifting, hard to fully predict or grasp, and of an aetheric, intangible quality. This reinforces the idea that reality is ever-changing and elusive, difficult to fully comprehend through the lens of observation alone.
12. Meaning and Purpose: The final statement suggests that meaning and purpose are derived from design, where every design matters in shaping our perception and understanding of reality.
In essence, the passage intertwines metaphysical, philosophical, and abstract ideas to propose a vision of reality where consciousness, design, and the fluid nature of spacetime come together in the formation of the world as we experience it. The observer/designer plays a pivotal role in the unfolding of this reality, with the design process acting as the mediator between potential and probability, shaping the contours of experience.
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
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Design is a matter of virtual: choice, focus, construction, fitness, feeling, attention, imagination, observation and activation.
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Edited: 11.17.2023, 12.24.2023, 03.17.2025
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