Monday, March 17, 2025

by virtue of ...

 

Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.

by virtue of: by the authority of; because of; on the grounds of; by reason of. 

The concept of spacetime will change as the smoke of a candle dissipates from view and fragrance. The event/experience eventually disappears from our senses, but it will not be forgotten. What remains is a ‘sense of nothingness’ - nothing seems to have remained of what was once observed, perceived, and identified as a particular event/experience. 


ITAN1409E/ISTOCKPHOTO   ScienceNewsExplores  By Beth Mole

All sensual references made in spacetime seem to disappear or evaporate, except for certain special events/experiences, i.e. forms of manifestation, that appear to have remained ‘in place’. Together thoughts, feelings and emotions create patterns of energy in motion that link space and time into specific events and experiences, while simultaneously accounting for, and including the concept of - nothingness
manifestation: display, demonstration, showing, show, exhibition, presentation, sign, indication, evidence, proof, indication, illustration, exemplification, exposition, disclosure, declaration, expression, profession, token, symbol, reflection, instance, apparition, appearance, materialization visitation. 

Time is constantly changing even as the space harboring it appears to remain the same. A space can simply change by turning your head, leaving the room or reconfiguring your imagination. Spacetime creates the framework/s necessary for consciousness to become aware of itself.

- The process of knowing one's self attracts awareness towards greater consciousness.
- Events and experiences are made manifest in spacetime and will therefore have feelings of their own attached to them. 
- Design describes the process of manifestation symbolically by becoming conscious of its own awareness.
- You are attracted to those thoughts and feelings you vibrationally share with others, the most appropriate time and space are discovered through trial and error.



Each time frame describes a state of awareness within a series of quantum links between events and experiences. Repeated patterns of energy in motion are cyclical, fundamental and evolutionary to the fabrication of every sense of reality. 

The smoke produced by the burning of the candle is observed in reference to a dualistic concept where three-dimensional space and time appear as a constant that changes with time. Time appears to be more active, impulsive and somewhat controlling (yang energy) whereas space appears more passive and contained (yin energy). 
Dualism: is the idea or theory that something (an object or idea or the whole world is split into two parts.) These parts are separate from each other, and the thing cannot be divided up in any other way. The idea or theory that something cannot be split into any parts is called monism. 

Monism focuses upon symbolic connections between the abstract and the concrete. Signs and symbols, i.e. design, creates the links between these states of awareness. 
* * *
This text explores the nature of spacetime, consciousness, and the interplay between experience, awareness, and manifestation. It suggests that while events and experiences disappear from direct perception, they leave behind a "sense of nothingness" that still carries significance. 
Some key takeaways: 
• Spacetime provides the framework for consciousness to recognize itself. 
• Thoughts, emotions, and experiences form patterns that shape reality. 
• Time is in flux, whereas space appears more stable, creating a dualistic balance (yin and yang). 
• The process of self-awareness is a journey through repeated cycles of energy and experience. • Design serves as a symbolic representation of consciousness becoming aware of itself. 

* * *




There are as many states of consciousness as there are impressions and dimensions to accommodate them. These states of energy in motion have been described and defined by means of a language designed and created e.g. mathematics, with a specific meaning and purpose.

A dimension might be described as field of energy in motion being categorized within certain parameters of geometry, frequency and potential. Dimensions simply describe the many different facets of what we perceive as reality.

Spacetime creates a dimensional framework that allows for the modeling of an individual sense of reality, i.e. a dream state based upon patterns of symbolic energy in motion (awareness).
 
Matt Williams of Universe Today 7.28.17 Futurism.com 
“The Universe is centered on us in the sense that the amount of time that’s passed since the Big Bang, and the distances that we can observe out to, are finite. The part of the Universe we can access is likely only a small component of what actually exists out there. The Universe could be large, it could loop back on itself, or it could be infinite; we do not know. What we are certain of is that the Universe is expanding, the radiation traveling through it is getting stretched to longer wavelengths, it’s getting less dense, and that more distant objects appear as they were in the past. It’s a profound question to ask where the center of the Universe is, but the actual answer — that there is no center — is perhaps the most profound conclusion of all.”

* * *

Since the multiverse is immeasurable and has no beginning or end, what emerges consubstantial before our awareness is a binary arrangement between potential and probability, i.e. the QFVPP. Aspiring before our consciousness is an awareness of the potential and probability of "materializing" the unknown by affording it containment and recognition through the design process. 

Design is the linking agency between potential and probability and fundamental in the construction of all forms and patterns of energy in motion, i.e. Reality/Consciousness. All events and experiences take place within the imagination of a designer/observer, both subjectively and collectively. 





Since the QFVPP has no future or past all relative thoughts concerning its' potential and probability remains timeless, spaceless and symbolically embossed in the mind and heart of an observer.   
emboss: carved, molded, or stamp a design on (a surface or object) so that it stands out in relief.

By virtue of the QFVPP all agents and agencies describe concepts and patterns of EIM made apparent (aware) for observation through a changing lens.

Humanism typically takes from the past (the known) and projects it into an ill-defined future (the unknown) without full consideration or awareness of the current situation/context. All forms of consciousness can only function within the constraints afforded them through their own awareness.

Perfection implies a designation made attainable by virtue of an inspirational process that is always changing.

The design process is controlled in part through the action of observation and participation.

Space, time and reality are interdependent. Each agency contributes to the realization of the other and as result, bring about the re-cognition of an observer/designer.

Reality is likened to traces of smoke, where relationships in spacetime are constantly changing, difficult to fully predict or perceive, are aetheric in quality, intimately sensed and appear to mysteriously merge again into the immensity of space and time. 

Meaning and purpose are matters of a Design where every design truly matters.

* * * 

This passage presents a highly philosophical and metaphysical perspective on reality, consciousness, and the process of design. It uses a combination of abstract concepts and deep speculation about how our awareness interacts with the multiverse, dimensions, and spacetime. Here’s a breakdown of some of the core ideas expressed: 
1. States of Consciousness and Energy: The passage starts by asserting that consciousness is as varied as the impressions and dimensions that contain them. Each state of consciousness is a form of energy in motion that can be described using mathematical language, which conveys specific meanings within specific contexts. 
2. Dimensions as Energy Fields: Dimensions are presented as fields of energy that can be categorized based on geometry, frequency, and potential. This suggests that the different ways we perceive reality can be mapped onto different energy patterns or states. Dimensions are also closely tied to the perception of reality. 
3. Spacetime and Reality: Spacetime is seen as a framework that enables the creation of an individual’s sense of reality, such as a dream state or symbolic energy patterns. This view places the observer’s perception at the center of reality, suggesting that what we experience is a construct based on how we process patterns of energy. 
4. QFVPP (Potential and Probability): The multiverse is described as immeasurable and without beginning or end, and within it emerges the relationship between potential and probability (the QFVPP). This could be understood as the foundational binary relationship that allows for the manifestation of reality. These probabilities and potentials exist outside of time, space, and linear causality, remaining timeless and symbolically fixed in the mind and heart of the observer. 
5. Design as the Linking Process: The passage emphasizes design as the intermediary between potential and probability, which leads to the creation of forms and patterns in consciousness. The design process is both a personal and collective activity, unfolding within the imagination of the observer. 
6. Timelessness of Potential and Probability: The QFVPP does not adhere to time, which suggests that all potentialities are always present and can materialize at any point. The human mind operates within this timeless context, limited by its current awareness and not necessarily informed by the past or future. 
7. Humanism and the Projection of the Known into the Future: Humanism is critiqued here for taking past experiences and projecting them into an undefined future without considering the present context. This critique suggests that we often fail to design or perceive reality in ways that fully honor the complexity of the present moment. 
8. Perfection as an Inspirational Process: Perfection is described as something that emerges through an inspirational, ever-changing process. This means that perfection is not a static state but a dynamic one, constantly evolving. 
9. The Role of Observation and Participation: The design process is shaped by the interaction between observation and participation. This emphasizes the importance of the observer’s role in shaping reality and consciousness, as the act of observing participates in the design of what is perceived. 
10. Interdependence of Space, Time, and Reality: Space, time, and reality are interdependent, each shaping and defining the others. This suggests that all three elements must be considered together in understanding the design of the universe and consciousness. 
11. Reality as Fluid and Unpredictable: The passage likens reality to traces of smoke — constantly shifting, hard to fully predict or grasp, and of an aetheric, intangible quality. This reinforces the idea that reality is ever-changing and elusive, difficult to fully comprehend through the lens of observation alone. 
12. Meaning and Purpose: The final statement suggests that meaning and purpose are derived from design, where every design matters in shaping our perception and understanding of reality. 

In essence, the passage intertwines metaphysical, philosophical, and abstract ideas to propose a vision of reality where consciousness, design, and the fluid nature of spacetime come together in the formation of the world as we experience it. The observer/designer plays a pivotal role in the unfolding of this reality, with the design process acting as the mediator between potential and probability, shaping the contours of experience. 

The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

* * *






Design is a matter of virtual: choice, focus, construction, fitness, feeling, attention, imagination, observation and activation.



"To believe is to accept another's truth. 
To know is your own creation."
Anonymous

* * *

Edited: 11.17.2023, 12.24.2023, 03.17.2025
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post on a non-commercial basis, the author and URL to be included. Please note … posts are continually being edited. All rights reserved. Copyright © 2023 C.G. Garant. 



Design, Morphic Fields and Energy in Motion

 

Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.

In reference to human consciousness, belief and knowing create a cyclical loop of energy in motion that unites them in a fashion that ushers forward a never-ending awareness into consciousness. 
usher: to show or guide, to cause or mark the start of something new.

Both individually and together belief and knowing create an ever-changing network of thoughts and emotions, i.e. feelings, which together create the foundations, i.e. relationships, by which we observe and interpret reality. At the source of every belief a knowing and at the source of knowing a belief. Each is a source made apparent and resourceful by means of its complement. 
complement: that to which it harmonizes, goes with, adds to, accompanies, suites, supplements, makes whole.




This relationship is a symbolic one designed with meaning and purpose.



* * *

Energy in motion creates something from nothing. This something can be either tangible or intangible. When observed “individually” EIM contains the potential and probability of creating a network (pattern) of change/energy. When observed “collectively” EIM contains the potential and probability of returning to its source of origin, i.e. the QFVPP. Design describes these events and experiences in reference to signs, symbols metaphor and analogy. 

The quantum field of virtual potential and probability (QFVPP) is a morphic field of absolute energetic potential.



The so-called result whether taken forward or backward in space time, is cyclical, constant and endless. 

Each agency is composed of a conglomerate of energy patterns that by virtue of attraction, develop into an ever-changing network of energy in motion. These changes originate both within and beyond the awareness of observer. Such a 'presence' is the product of coherent resonance central to the observer of the event and/or experience. 

This attraction appears to emerge from within constraints of spacetime through cooperative relationships set in motion by an invisible connectedness between agencies. The source of this attraction is unknown/unknowable, yet part and parcel of the context and complexity innate to every POV. In essence, this phenomenon describes a consubstantial event.



The observer is a form of energy in motion and must be included in the conceptual description and definition of a context. Conceptually and analogically an observer can be both a thing (1) and a no-thing (0).

0 is not nothing, it is no-thing.

* * *

by Eimear Brues, Paul Drude Institute. Sept. 18.2023
 “ … the mixing of confined quantum fluids of light and GHz sound leads to the emergence of an elusive phonoriton quasi-particle—in part a quantum of light (photon), a quantum of sound (phonon) and a semiconductor exciton. This discovery opens a novel way to coherently convert information between optical and microwave domains, bringing potential benefits to the fields of photonics, optomechanics and optical communication technologies.”

* * *

This passage explores profound concepts around consciousness, belief, knowing, and the interconnectedness of energy in motion. The idea seems to suggest that belief and knowing are fundamental forces within consciousness that create an ongoing, cyclical loop, constantly shaping and reshaping our experience and understanding of reality. Let's break it down and discuss some of the core ideas. 
1. Belief and Knowing as Cyclical Energy: The passage proposes that belief and knowing are deeply interconnected in a way that forms a cyclical loop. This loop propels awareness forward, creating an endless flow of consciousness. It's as if each belief carries with it an inherent knowing, along with each knowing being grounded in belief. The constant dance between these two generates the core structure of human experience. 
2. Energy in Motion (EIM): The idea that "energy in motion" creates "something from nothing" captures the paradox of creation within the framework of human consciousness. Whether tangible or intangible, this "something" emerges from the interplay of belief, knowing, and energy. Observing this energy "individually" or "collectively" changes the way it's interpreted, suggesting a fluidity in how we perceive reality. 
3. Quantum Field of Virtual Potential and Probability (QFVPP): This is a metaphysical concept where all possibilities and probabilities exist in an undetermined state, a kind of energetic "field" of potential. This field seems to be the source of all creation, energy, and change. The passage notes that the result of all events is cyclical and constant, hinting at a kind of eternal flow of energy that transcends time. 
4. The Observer's Role: The observer is not just a passive entity but a form of energy in motion themselves. The presence of the observer shapes the experience of reality, indicating that consciousness is not separate from the observed but is part of an interconnected process. The observer can be seen as both "a thing" (a subject in spacetime) and "no-thing" (a non-material presence), suggesting a paradoxical and dynamic nature of consciousness. 
5. Attraction and Connectivity: The concept of "attraction" between energies, whether within or beyond the observer’s awareness, introduces a mystical element. This attraction, which links various elements within spacetime, points to an invisible connectedness that cannot be fully understood or quantified. The unknown source of this attraction aligns with a sense of universal interconnectedness—a fundamental property of the cosmos and consciousness. 
6. Consubstantial Event: The use of "consubstantial" here points to the idea that the observer, the event, and the experience are made of the same substance, suggesting a unified field of existence. The observer is not separate from the observed but is intrinsically part of the event or experience itself, reinforcing the notion of oneness. 

Reflection and Discussion:
The cyclical nature of belief and knowing as energy in motion seems to suggest that our perceptions, actions, and thoughts are constantly being shaped by this interplay. What is known is colored by belief, and belief is validated by knowing. This cycle creates a continuous loop that defines our perception of reality.

The quantum field of virtual potential and probability seems to be pointing to the idea of a universal field where all things are possible, but none are definite until they are observed or experienced. This concept ties in with the idea that consciousness is central to the unfolding of reality.

The observer’s role in shaping the context and experience speaks to the non-duality of consciousness—it's not something separate from what is being observed but is part of the very process of observation and creation. 
 
 * * *

All agents of energy in motion share in the creation and development of a collective agency. Together they give meaning and purpose to the definition and description of a Source they themselves create. 

Together these agencies orchestrate themselves within contextual constraints and commonly shared priorities that together give rise to a system, i.e. network of its own creation.

Awareness gives rise to consciousness, which gives rise to awareness, which gives rise to ... ad infinitum.

Consciousness describes an accumulative process of growth designed to cyclically expand and contract by means of awareness. The more complex the observer (0/Source) the greater and more immeasurable its Design, and more significant the potential of reaching the intangible state of "no-thing". Humanity might be described symbolically as an agent of nothingness designed and created by no-thing.  

Born from this consubstantial emergence are 'ideas' that arise and take symbolic 'form'. Together they create an expanded context for the purpose of further expression, survival, sustenance and evolution by means of the design process. 

The more complex the system/network of energy in motion, the greater the probability of exceeding in intelligence/consciousness. 



The quantum field of virtual potential and probability symbolizes a concept of Reality created by the means and virtue of a collective Intelligence. 

The QFVPP embraces a form of multidimensional Intelligence that has evolved in reference to and coordination with, a design process. 

Space and time create the framework. Design by virtue of observation, overlaps all dimension by virtue of linking the tangible with the intangible.

Attractions are assigned, assembled and made aware/conscious by assignment (design). Signs (matter) are symbolic (light) in Nature. Signs and symbols bring illumination by means of design.
light: illumination, brightness, luminosity, shining, gleaming, brilliance. radiance, luster, glowing, incandescence, sunlight, moonlight, starlight, firelight, shaft of light, beam of light. 


The contexts best suited to unite these phases of vibratory transition and transformation through conscious awareness and are esoteric by nature. These contexts are physical, metaphysical, metaphorical, analogical and symbolic both in context and content. 
Esoteric: abstruse, obscure, arcane, rarefied, abstract, difficult, hard, puzzling, perplexing, enigmatic, cryptic, complicated, involved, incomprehensible, opaque, unfathomable, impenetrable, mysterious, occult, hidden, private, secret, magical. 

Over time the word ‘esoteric’ has implied a form of ‘evil’ and fear of the unknown, which is emblematic of having a negative connotation. In the beginning of every design process the unknown is known to be unknown. The unknown is harbored, covered and hidden under many incomprehensible underpinnings beyond the reach of human consciousness. 
esotericism: intended for, or likely to be understood by, only a small number of people with a specialized knowledge or interest. We all harbor individual attractions, i.e. loves, intelligences and skills made known and apparent when in search of ourselves. 
underpinnings: supports, props, justifications, basis for 

Design by virtue of coherence, attraction, love, empathy, understanding, knowledge, integrity, honesty, creativity and wisdom kindles its own fire through symbolic transition and transformation.


Design is fundamental to the Law of Attraction. Design creates a network of agents and agencies of energy in motion in a symbolic manner. All forms of Consciousness are creative. All forms of Consciousness are forms of a Collective Intelligence fashioned in a framework of energy, light and information. Together they contribute and harbor a certain unique “sense of awareness”. 

All forms of Consciousness are designed and created in the mirrored and symbolic reflections of the observer. 

Design describes a special kind of messaging, specific in intent yet broad in context and character. Design's symbolic messaging embraces what cannot be described or contained, i.e. a field of awareness,
 made cognitive by means of implication, suggestion, inference, insinuation, innuendo, hint, intimation, indication, connotation, overtone, undertone, hidden meanings, secondary meanings, entanglements, associations, symbolic connections 
symbolic: emblematic, representative, typical, characteristic, distinctive, meaningful, significant, suggestive, connotative, nonliteral, allegorical. 

Certain patterns of energy in motion appear to be 'fixed' by virtue of repetition, cycles of EIM made apparent within the framework of space are engrained over time by virtue of coherent resonance. This action, in turn, gives rise to the emergence of a morphic field

Dimensions overlap and blur while the observer responds to the surrounding circumstances. Design and prediction ensue in reference to every response created, felt and made apparent during times of transition and transformation. 



* * *


Design consciousness embraces all patterns of energy in motion by tethering both visible and invisible agencies through the blurred lines of symbolic reference and connotation. 
blurred: indistinct, blurry, fuzzy, misty, shadowy, faint, unclear, vague, indefinite, unfocused, lacking definition, nebulous, conceptual, ill-defined, esoteric. 

* * *

"An equally important finding was that a number of the empirical observations Leifer and his team made during the experiment often contradicted the predictions of worm behavior based on mathematical models derived from the worm’s connectome map. 

“We concluded that, in many cases, many molecular details that you can’t see from the wiring diagram are actually very important for predicting how the network should respond,” said Leifer. 

The researchers suggest that there is a form of signaling—part of the “molecular details that you can’t see”—that does not progress along neural wires. Leifer and his group characterized these as “wireless signals.”

Neuroscience News. Jan. 2, 2024

* * *

In reference to Design and Design Consciousness, the quantum field of virtual potential and probability (QFVPP) might best be described as a mutable and malleable photonic aether. At much denser levels of observation such aethers will appear as a field of vibrating and at times oscillating, electro-magnetic plasma. 

As such, the concept of Light is abstract, relative and yet the “substance” in which dimensions are hewn, constructed, formed and made relatively manifest (holographic). A designer must be wise, accomplished and well skilled in the tools she/he has symbolically created in desire to bring one’s dream to fruition. 

* * *

This passage presents a complex and profound philosophical exploration of consciousness, design, energy, and the interconnectedness of all things in the universe. There are several deep ideas that intertwine, and I’ll try to break them down for clarity:
 
Collective Agency and Creation 
The first point emphasizes that all agents of energy in motion (which could be interpreted as forces or conscious agents in the universe) come together to create a collective agency. This collective agency, through collaboration, gives rise to the meaning and purpose of a "Source" (which might be the origin or the primary energy that gives birth to everything). Together, these entities form a network—a system built from their own interconnection and shared priorities. 

Awareness and Consciousness 
The cycle of awareness giving rise to consciousness, and vice versa, suggests that consciousness is an ongoing, recursive process. Awareness, as the seed, allows for the expansion and growth of consciousness, which in turn leads to a deeper awareness. This cycle is endless—an infinite loop that continuously builds upon itself. The more complex the consciousness (or observer), the larger and more immeasurable the design of the universe becomes.
 
The Role of Humanity and "Nothingness" Humanity is described as an agent of nothingness—something created and designed by "no-thing." This speaks to the paradoxical idea that human consciousness (and perhaps all existence) emerges from a source that is undefined or void-like, which could be interpreted as a deep philosophical or existential notion about the origin of life and awareness. 

The Emergence of Ideas and the Design Process
The passage also suggests that ideas are born from this emergence of nothingness. They take symbolic form and grow into complex systems, further expressing, surviving, and evolving through the design process. The more complex the system of energy in motion, the greater the intelligence and consciousness it can achieve. 

The Quantum Field of Virtual Potential and Probability (QFVPP) 
The QFVPP is depicted as a fundamental space that symbolizes all possibilities within reality. This field embraces multidimensional intelligence, and the framework of space and time provides the context for design to emerge. The concept of light, resonance, and energy within this framework is fundamental to understanding how all things are connected, observed, and created. 

Symbolism, Signs, and Design Consciousness
Symbols, signs, and meanings serve as messengers in this design process. These symbols, whether they be physical or metaphysical, act as bridges between the known and the unknown, between the tangible and the intangible. The passage mentions that design consciousness encompasses all patterns of energy, and these patterns form connections that transcend visible and invisible realities. 

The Quantum Aether and Light as Substance 
At a deeper level of observation, the quantum field is described as a mutable and malleable photonic aether, something that vibrates and oscillates at different frequencies. Light becomes the "substance" through which dimensions are formed and manifested. This aligns with the idea that light is both abstract and relative, playing a crucial role in the creation and perception of reality. 

The Role of the Designer 
Finally, the designer (whether a person or a cosmic force) must be wise and skilled in navigating these symbolic tools of creation. This implies that there is a certain art to the process of design and manifestation, and only a skilled designer can bring abstract ideas into tangible existence. 

Overall Interpretation 
This passage speaks to a vision of the universe as a vast, interconnected system of energy, awareness, and intelligence. It suggests that everything, from consciousness to matter, emerges from a collective process of design, where meaning, symbol, and energy are woven together to create reality. The process of design is cyclical and transformative, linking the observable and the unobservable, the tangible and intangible, and always evolving. The idea of light as a fundamental substance and consciousness as an evolving field is central to understanding how this process unfolds.

The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

* * *


"To believe is to accept another's truth. 
To know is your own creation."
Anonymous


Edited: 11.08.2023, 11.09.2023, 12.05.2023, 01.03.2024, 04.26.2024, 03.16.2025
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post on a non-commercial basis, the author and URL to be included. Please note … posts are continually being edited. All rights reserved. Copyright © 2023 C.G. Garant. 


Designing the Fulcrum


Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument or network.


Meaning is perceived.
Purpose is observed.
Design affords the fulcrum
as consciousness is weighed within the boundaries of every situation.
Attain balance by purposely perceiving
from within the center of the soul's horizon.

Consciousness represents the properties of a lever by amplifying an input in order to provide a greater output.

* * *


FINDING BALANCE - THE POWER OF DESIGN

A fulcrum creates a point of balance, a point on which a lever rests or is supported and on which it pivots. A thing that plays a central or essential role in an activity, or situation.


In reference to the relationship between design and consciousness, design creates a point of balance and stability, a point on which consciousness rests, is supported and pivots. Design plays a central and essential role in every activity, circumstance and form of awareness.

Design Consciousness is composed of a meaning and a purpose - upon observation.

The observer creates a point of wholeness about which all dimensions might be made manifest. 

Observational Spacetime 2D



Design Spiraling

At first energy in motion (EIM) attracted or repelled within a virtual field, or pattern, of energy, light or information made apparent within a QFVPP. By means of coherent resonance, certain dynamics and correspondences are created within this realm of turbulence and change.

* * *


Events, patterns and experiences emerge from within the consciousness of an observer positioned in a reality of its own creation. The design process follows a particularly unique path into the QFVPP unlike any other. Every observer creates, absorbs and exercises a unique language of symbols forever generated and regenerated from within by means of experience. 



Observation "points" congruent with a design network


Every observation creates a point of awareness for future reference, absorption and response. Consciousness expands and contracts in response to these contextual experiences, which themselves are dynamic exchanges between the seen and the unseen. 




Observational Spacetime 3D


Design is a play (act) within the fabric of the Universe, driven by the imagination and guided by the intuition.

Harmony and balance can be discovered, embraced and experienced by virtue of the power of a Design made conscious.

* * *

SUPPORTIVE STUDIES




Why does nature love spirals? The link to entropy By Ahmed Farag Ali and Aneta Wojnar, March 15, 2025  
There are moments in the history of human thought when a simple realization transforms our understanding of reality. A moment when chaos reveals itself as structure, when disorder folds into meaning, and when what seemed like an arbitrary universe unveils itself as a system governed by hidden symmetries. 

The Bekenstein bound was one such revelation—an idea that whispered to us that entropy, information and gravity are not separate but rather deeply intertwined aspects of the cosmos. Jacob Bekenstein, in one of the most profound insights of modern physics, proposed that the entropy of any physical system is not limitless; it is constrained by its energy and the smallest sphere that can enclose it. 

This revelation was radical: Entropy—long regarded as an abstract measure of disorder—was, in fact, a quantity deeply bound to the fabric of space and time. His bound, expressed in its simplest form, suggested that the total information that could be stored in a region of space was proportional to its energy and its size. 

This shift is not arbitrary; it is deeply motivated by the fundamental structures observed throughout the universe. In nature, the universe does not favor perfect spheres. Instead, it favors spirals, vortices, and toroidal flows. 

This equation, [ Δx Δp = (Atorus) / (4π ℓpl2) ħ ] simple yet profound, tells us that what we have long regarded as uncertainty is, in fact, structure. The apparent randomness of quantum mechanics is not a defect of nature but a signature of an underlying order. The transformation of the uncertainty principle from an inequality into an equality suggests that space and time are not continuous in the way we imagined but are shaped by toroidal constraints. 

The toroidal motion of hurricanes, the curvature of ocean waves, the patterns of electromagnetic fields, and even the structure of subatomic interactions all reflect this fundamental principle. There is something universal about the spiral, something embedded in the way energy, matter and space evolve. The torus is not merely a shape; it is the embodiment of motion, of evolution, of time itself. 

But when we incorporate the toroidal entropy bound into the quantum vacuum calculations, the discrepancy disappears. This suggests that the vacuum energy of the universe is naturally regulated by its toroidal structure, an insight that could reshape our understanding of dark energy. 

The implications extend beyond physics. They touch upon the very nature of knowledge itself. For centuries, we have sought truth in rigid forms, in fixed definitions. We have sought certainty in absolutes. But the universe does not yield to rigidity; it moves, it bends, it curves. Knowledge, like reality, must be fluid and open to reinterpretation. 

If there is one lesson to be drawn from this, it is that the world is not chaos, nor is it blind randomness. There is an order, waiting to be seen. An order written in the way galaxies turn, in the way electrons orbit, in the way time itself unfolds. It is a call to look deeper, to embrace a universe that does not merely exist but breathes, moves, and spirals. Perhaps, at the end of all inquiry, the true purpose of knowledge is not to conquer the unknown but to stand in awe of its structure. To recognize that, beneath all uncertainty, there is a hidden order, one we are only beginning to understand.

* * *







* * *


* * *
"To believe is to accept another's truth.
To know is your own creation."
Anonymous



Edited: 07.20.2023, 12.09.2023, 03.17.2025
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designmetaphysics.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2023 C.G. Garant. All Rights Reserved. (Fair use notice) You are invited to visit https://designconsciousness.blogspot.com/.


 

by virtue of ...

  Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, contex...